
you’d never know it a nesting doll composed within herself but discover 10 layers down that’s a different matter secrets scold molten in seething center multi-universe of reprisals, regrets, memories washing machine on scald spin cycle the phoenix of her soul remains folded, like flag given to widow tucked in bed, for night terrors, for the undertaker she runs like a yellow wallpapered woman through corridors long hair trailing behind, bare feet damp on hospital floor screaming somewhere in her mind; there’s a woman! She’s falling apart seam by seam somewhere within the memory palace of her soul she’s cracked, a fissure running the length of indigo calm a knife wound without respite, it digs in and splits deeper all the pain did this, all the unknowing did this, all the indifference cemented it like a loose spring coiled ready to burst from the heart of ten wooden dolls absorbed into one she falls apart in ways that resemble madness but are not madness they are the disarticulated parts of a human being at their most terrified sickness can do this; it can beckon and pull and cajole you to the very edge where nothing, nobody, seems safe, and you witness with waking terror the abseil of your life, collapsing in on itself, grinding to dust a preview of death? The crystal ball has no answer, few are prepared when the bombs drop, houses constructed to keep wolves out, explode and raining from the very sky, debris and horror like kites with teeth you’d never know it assessing her motionless hands clasped loosely or the sharp ways her eyes follow conversation you can’t know her toes feel the very chill of the ledge and hook themselves in one final attempt to stave off the inevitable before she lets go and falling without weight legs overhead, white hospital gown, faulty parachute she’s absorbed into the next day and the next till one morning she’s released and told she’s well something absurd and inaccurate and foreign tucked behind her ear like a Turkish cigarette she signs the release papers, applies lipstick and hails a cab just like anyone else wearing good boots and a navy winter coat just like anyone else who arranges their dolls inside the next each one capable of holding a myriad of screams unheard by the rest of the world who, sensing rain, reach for their umbrellas.
Photo by Iza Gawrych on Unsplash
Born in Europe, Candice Louisa Daquin is of Sephardi French/ Egyptian descent. Daquin was the Publishing Director at the U.S. Embassy (London) before becoming a Psychotherapist. Daquin is Senior Editor at Indie Blu(e) Publishing, a feminist micro-press and Editorial Partner with Raw Earth Ink. She’s also Writer-in-Residence for Borderless Journal, Editor of Poetry & Art for The Pine Cone Review and Poetry Editor for Parcham Literary Magazine. Daquin’s own poetic work takes its form from the confessional women poets of the 20th century as well as queer authors writing from the 1950’s onward. Her career(s) teaching critical thinking and practicing as a psychotherapist have heavily influenced her writing. As a queer woman of mixed ethnicity and passionate feminist beliefs concerning equality, Daquin’s poetry is her body of evidence.
I was so inspired by the brilliant Nancy Dunlop – her book is incredible.
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