Authors in Indie Blu(e) Anthologies: Sonali Pattnaik

I’m very proud to highlight our next contributor from two Indie Blu(e) anthologies – Dr. Sonali Pattnaik is a poet, artist and academic. Her poetry and writing has been published in journals and anthologies throughout the world including: Journeys by Sampad, UK, The Indian Express, Muse India, Cafedissensus, Wordgathering, Writer’s Asylum, Women’s Web, Intersections and TheShoutNetwork.

We met Sonali through Indie Blu(e)’s The Kali Project and from the first communication, felt she had a special talent that was undeniable and striking. She’s an artist in all senses of the word, highly gifted with words, both in poetry and prose, and a tremendous creative. We were so thankful to accept her work for Kali and also for our anthology Through The Looking Glass. One thing you can guarantee with Sonali Pattnaik, she’s going to give you her best and her best will be unparalleled.

Aside being a highly accomplished scholar, poet, writer and visual artist, Sonali also teaches Literature in English in India, with a special interest in feminism, film and literary theory. Her PhD thesis explored the body politics of contemporary cinema. She is a committed mother who homeschools her daughter and tries her best to raise her with dignity, love and freedom. Sonali believes in making all voices heard and dreams of a gender-equal world. Her work often reflects this and she’s got her finger on the pulse of modern Indian women who want to see more gender-equality and will not remain quiet.

Picture of the author with her just released debut collection of poetry: When the Flowers Begin to Speak.

Sonali’s first solo book of poetry When the Flowers Begin to Speak has just been published by The Writers Workshop (India) She can be found at http://www.sonalipattnaik.com. HERE. The incredible thing about The Writers Workshop is they create these heirloom quality works of art with each publication. This is no ordinary book. They hand-bind, hand-print, hand-write many aspects of their collections including the use of sari materials woven into the cover. As you can see by the pictures, the quality is outstanding.

She shared with us what Prof. Ananda Lal (of Writers Workshop) told her when she sent him her poetry manuscript. “I have read your collection and find it eminently worthy of publication. Its narrative nature and poetic intensity make it an arresting volume, containing the original voice that Writers Workshop has always looked for in an author […] Making it an excellent and formidable volume.” ~ (Ananda Lal of Writers Workshop). Sonali said she couldn’t believe her eyes because periodically she struggled with self-esteem issues, something she fought successfully to overcame and was plunged right back into through some challenging experiences. Renewing that self-love is an everyday practice for Sonali and Prof. Lal’s response filled her with joy and confidence.

She has this to say: “To anyone reading this who thinks that it’s not in their capacity to author a book, please know that is not true. If you wish to, then you can. The path may not appear immediately, not will it look the way you thought it would, but if you keep walking it will get you where you wish to be.”

Sonali’s recent successes included winning the Orange Flower Award for Poetry 2022 presented by Women’s Web for her debut collection of poetry.

“the falling from above
of water reminds us
that the story of water
remains half told
water gives, takes, dances
and destroys
it surrenders without
relinquishing a drop
of its power
it’s a paradox,
a talisman of
the truth in resistance “

(water’s story) – exert from Sonali Pattnaik’s poem in the award-winning anthology, The Kali Project: Invoking the Goddess Within / Indian Women’s Voices which you can purchase HERE. Published by Indie Blu(e) Publishing.

In the short time I have known Sonali Pattnaik I have seen her work tirelessly to produce her first book of poetry as well as regularly contribute to a plethora of poetry and writing in addition to working full time and raising her daughter. She’s a gentle giant, with the constitution of a fierce goddess when she speaks up for those less fortunate.

Sonali’s work is deeply politic in that she doesn’t shy away from what matters and what should be spoken about. Her striking artwork alongside her powerful writing, really make her an person to watch in the world of poetry. It’s been such a pleasure to witness this from first meeting her through our anthology KALI.

Artwork designed for Sonali’s book When the Flowers Begin to Speak, which was not used, but demonstrates her talent as an artist.

Gorgeous KALI artwork featured in The Kali Project, by Sonali Pattnaik.

Striking black and white line drawing by Sonali Pattnaik for The Kali Project.

The front cover of Through The Looking Glass, Reflecting on Madness and Chaos Within – an Indie Blu(e) anthology on mental illness.

a poem is a place for sorrow
a home in the womb of solitude
a sanctuary of broken plenitude
a palimpsest of an endless today
written upon the promise
of tomorrow”

(A Place for my Sorrow by Sonali Pattnaik). Featured in Through The Looking Glass, an Indie Blu(e) Anthology.

Sonali reading from her debut book: When the Flowers Begin to Speak.

Check out this interview with Sonali at Yugenquest: https://yugenquest.com/sonali-pattnaik/

 Sonali’s work is also featured in the anthology: ‘Of Dry Tongues and Brave Hearts’ edited by Reema Ahmed and Semeen Ali, published by Red River, 2022, and is available for sale HERE. https://www.amazon.com/dp/8195305687 
https://www.amazon.com/dp/8195305687 We can attest that Red River have produced some really superb anthologies and we’re always excited to see their collections – well done to all who are in this.

Sonali’s debut collection of poetry published by The Writers Workshop (India).

Through The Looking Glass is available for purchase through Amazon (print & Kindle editions), B&NBook Depository, and Pothi (India only). Through The Looking Glass: Reflecting on Madness and Chaos Within is also available for wholesale purchase through the Ingram Group ISBN: 978-1-951724-08-5 

You can also purchase The Kali Project via these sites. Here is the Amazon link HERE.

Another poem read by Sonali from her debut collection of poetry.

Aside her website, http://www.sonalipattnaik.com you can also follow Sonali via LinkedIn:

https://in.linkedin.com/in/dr-sonali-pattnaik-1071b738

Here is her link to the Writers Workshop in India, it’s an incredible publisher, check out some of the titles: https://www.writersworkshopindia.com/category/books/poetry/

Indie Blu(e) Publishing is VERY proud of our authors / poets / artists and contributors to our anthologies. We love highlighting their accomplishments. If YOU are a IB contributor and wish to have a profile here, please get in touch (indleblusubmissions@gmail.com) including information we’d like to promote on our website such as: Bio, photo, live readings, links, interesting information and one short exert or poem. http://www.indieblu.netHERE.

Imposter Syndrome

Everyone is SO much better at writing than I am!

Familiar internal monologue complaint?

Felt the compassion-pressure of measuring up to others whom you believe are ‘natural’ writers?

Who do I think I am??? A fraud!

These feelings are known as impostor syndrome, or what psychologists often call ‘impostor phenomenon’. An estimated 70% of people experience these impostor feelings at some point in their lives.

Imposter syndrome can occur in any field but is especially rampant when dealing with positions in the public eye. Artists of any kind. Entertainers etc. Of course, this includes AUTHORS and WRITERS.

Why? Because when you have an audience, or if you want an audience then the feeling of being an imposter (in your own life) is more acute. It’s one thing to lip-sync in the safety of your bathtub, quite another to sing on stage or submit a book to publication or beta readers.

Most ‘famous’ authors will tell you that they’ve been there. Those that haven’t are like those outgoing types who don’t feel stage fright, there are always ultra-confident people out there, but they don’t make up the majority. Most of us have some trepidation and concern about how we’re perceived by others. It’s one thing to have some self-faith versus abundant narcissism. Imposter syndrome means we doubt our abilities and feel like a fraud. It often disproportionately affects high-achieving people, who find it difficult to accept their accomplishments. Many question whether they’re deserving of accolades. But they’re only seeing one side of the coin.

We may have a persistent fear of being exposed as a “fraud” but that discounts the fact we’re working legitimately hard at something. Why wouldn’t we feel this way about another job? Like being a nanny. It’s because of how the writing field is perceived, and the belief that only the ‘very best’ get to call themselves author. But whose rules are those? Think you have everyone fooled and ‘if only they knew’?

But isn’t that a little like trying to mind-read? Do we really think we have the power or luck to be this imposter in our own lives? Or did we really earn it? I see a lot of similarities between imposter syndrome and those high-achievers at school who would have a melt-down if they made a 98/100 on a test. Sometimes we set ourselves up for failure when there isn’t any. Other times we refuse to give ourselves credit where credits due.

So how do we get confidence to stop feeling like an imposter or cringing when we call ourselves ‘an author’ – versus becoming an ego maniac? It’s all about balance. And earning our way forward while avoiding the cult-of-comparison.

What do I mean by balance and earning our way forward?

If someone came to you and said: “I’m an author. I haven’t written anything but I’m a really incredible author.” You might laugh. But if someone came to you and said: “I’m an author. I’ve written five books. None of them have been published yet but that is my hope. It’s a tough road.” The balance of reality (tough road) juxtaposed with the confidence to declare themselves an author (on the basis of having actually written five books) demonstrates that person earned the right to be called an author.

You don’t have to be famous to be an author, but you do have to write (and read others) to claim this title. It isn’t arrogant to call yourself an author if you either regularly get published (online counts) OR you regularly write. Being something isn’t contingent upon ‘success’ so much as hard work, devotion to and commitment. You’re not an imposter if you’re actually doing the work.

For every ego-centric person who claims this title without the work, there are many more who don’t believe they have ‘earned’ the right to call themselves an author and will ponder – when will I feel I have earned the right? Ergo they feel like an imposter for claiming a title that doesn’t sit comfortably and causes them to feel a fraud. But are you a fraud if you are working towards something?

If I were in medical school I wouldn’t feel badly for saying: “I’m training to be a doctor.” The only reason you don’t say you are ‘training’ to be a writer, is because when you’re writing for a living, you’re usually past university or education and no longer in a training capacity, although in truth, you’re training your entire life if you’re a writer.

Using the language then of a writer, it’s appropriate to introduce yourself as ‘a writer’ without being an imposter, if: You write. And by writing, I don’t mean keeping a journal, or writing shopping lists or poems on the backs of stamps. I mean really writing. What ‘really writing’ means will vary person-to-person, and for some, writing all day long, may seem more legitimate than someone who only writes once a week. Nevertheless, by all standards ever held, both would be considered writers.

After all, some of our favorite writers only wrote one book in their life time yet we would never say they were not writers. Others may have written hundreds but are forgettable. Yet it is not possible to judge ‘worth’ or ‘quality’ as easily as it is to define what makes a writer. To define worth or quality is individual to a large extent, and then on another level, could be judged based on public reception (popularity, awards won etc).

We should be careful not to adhere only on the accolade a book garners. Some popular books are not any better than obscure ones. They may have a great publicist, be written by the grandchild of a famous person, have some other networking feat, possess a subject or genre that is the ‘IT subject’ of the moment or subject du jour or fit with a need at the time. Those things are all real but do not mean that book is any better than the one languishing in obscurity.

However, since nobody writes not to be read – the success of a book is its defining feature, as flawed as that may be. But an author is an author irrespective of writing one book, or a 100, of making a fortune, or earning nothing. An author is someone who is committed to the art of writing and does (write).

Next time you wonder why you are bothering to do this thing called writing, remember two things:

You are an author if you write and if you continue to write you continue to be an author. Nobody can take that away from you.

If you continue writing, your chances of being published and read, go up and up and this should be your goal: To write and be read.

Anything better than that, is icing on the cake. But you’ve already got your dream of being (an author) if you’re putting in the work it takes to be (an author). Well done!

It may be a hard graft but you won’t find many lawyers/attorneys suffering from imposter syndrome, think about that next time you do … confidence may be harder for a self-deprecating, perfectionist writer, but YOU ARE A WRITER so the idea of being an imposter in your own life, well that’s just you coming to terms with the moniker of WRITER. Why? Because there will ALWAYS be someone who is a better writer than you. Sorry about that but it’s a crowded planet and there’s a lot of talent.

Should that stop you? Did it stop all the brilliant authors you’ve read and loved? Then don’t let it stop you! The most talented person isn’t always the one who gets to the finishing line. The one who WORKS HARD and never gives up, is the one who gets to the finishing line. And along the way may surprise themselves by getting even better at what they do. It’s not about being the best. It’s about showing up and doing what you do, until someone notices.

Imposter syndrome is so 2021 let’s leave it there and get on with writing!

Authors in Indie Blu(e) Anthologies: Jennifer Juniper Montero

We met some fantastic authors/artists/writers through Indie Blu(e)’s anthology: But You Don’t Look Sick: The Real Life Adventures of Fibro Bitches, Lupus Warriors, and other Super Heroes Battling Invisible Illness. This was a hard anthology to work on. People suffering from invisible illness are incredibly strong but also tired of suffering. The journey to get this anthology to press was longer than expected but we feel it was one of our strongest collections yet. Sometimes truth just has that depth we can all relate to.

Indie Blu(e) was delighted to accept a poem from Jennifer Juniper Montero, she was new to the Indie Blu(e) team and fit right in. Her work is clever and haunting. She writes well in poetry and prose. For our anthology we accepted a long prose-piece called The Fish Doctor, which shared Jennifer’s experience with Crohn’s Disease and the mine-field of navigating doctors and their lack of empathy toward suffering. It was a shocking, visceral piece of writing that strikes anyone who reads it, right in the gut:

“His tie was a fish.  The coffee cup on his desk was a fish–tail flipped up, forming a handle.  I’m guessing the man liked to fish on his days off from cutting into people.  

“You’re not a candidate for surgery.”  He slams the door shut on my file, clasps his hands on top of it–satisfied that all he needs to know about my insides is inside.  

I smile back. I was tired of being polite, complying with every test and prescription–only to end up sick again.  I drank the “milkshakes”– no one who actually had to choke down that thick barium clay would ever call them that.”

(The Fish Doctor).

I recall finding it hard to read the submissions because of the level of suffering those brave souls who submitted had gone through. That is EXACTLY why Indie Blu(e) was so passionate about publishing a chronic illness anthology, to give those erased voices a platform. Even when some writing is hard to read, that doesn’t take away it’s value, it just makes you think hard and not take anything for granted. Jennifer Juniper Montero is a natural writer with an insight into feelings that is fluid and connects easily with the reader.

“I kind of like not knowing

free to enjoy the evolving

I’ve come to trust the unfolding

Letting it show me.”

(untitled poem)

Not surprising then, Jennifer won first place for her poem First Love at the Writer’s Workshop in the Florida Keys.  Her writing has been published in Decimos: We Say and The Chamber Chowder (Key West’s business newsletter) among others.

Jennifer loves to travel and has an innate curiosity that leads her on adventure and into intrigue.  Living on the road, she splits her time between here, there, and everywhere and writes about whatever happens along the way— a connection that inspires her or a pregnant cat that’s decided she’s to be her Lamaze coach.  

Jennifer is an award-winning poet, published in Indie Blu(e)’s anthology But You Don’t Look Sick: Real Life Adventures of Fibro Bitches, Lupus Warriors, and other SuperHeroes Battling Invisible Illness which can be purchased HERE.

Jennifer retorts the age-old advice “Don’t bite off more than you can chew” with “I like to take big bites and then chew really fast!”

We hope you will get to know more of this talented authoresses work. She’s on WordPress folks! The writers and artists featured in Indie Blu(e) anthologies are talented people we’re lucky to work with and we hope to showcase those talents in the coming months. Watch this space.

Jennifer’s Social media links:

Blog: Solo Chick Traveler https://onehitoneder.wordpress.com

Facebook: Jennifer Juniper Montero

Instagram: solo.chick.traveler

Twitter: Jennifer Junipet

“Live the full life of the mind, exhilarated by new ideas, intoxicated by the romance of the unusual”  ~Hemingway

Want to be featured on Indie Blu(e)’s blog? If you have had work published in one of our anthologies, drop us a line and let us promote your work here! www.indieblu.net

Do you really have to work at being an author?

Back in the good-ole-days, which really weren’t; authors had to work hard! Imagine typing out a manuscript by hand, only to have to type out several versions with each edit? Physically having copies made, then mailing around the world, for an answer that may never come.

With the advent of technology you’d think it became easier, and yes it has, but it’s also become more of a system and the author is now as much a writer as a marketer (of themselves).

Many writers loathe the idea of self-promotion. Even if they are confident about their work they don’t want to be the ones out there singing their own praises. They’d rather someone else did all the promotion. However, the idea there was ever a time free of self-promotion is a little fanciful.

Authors are their own brand. Sure, if you publish with Penguin and you get into every book store, assuming people go to book stores still … you will get a lot of exposure without lifting a finger. It will also help if your huge publisher designs a drop-dead-gorgeous cover, promotes the heck out of you online and offline and so on.

But for the average author?

The average author doesn’t support herself/himself by their work alone. The average author has 3 jobs and runs between writing and promoting (trying to sell what they write) as well as doing other jobs (most commonly, teaching or a related field like editing). The average author couldn’t pay their rent/cat food bill on what they ‘earn’ from their writing alone. Ways to achieve this include teaching writing in one form or another, editing, workshopping, or doing something unrelated to ‘top up’ what they earn from writing.

Before you feel dispirited by the reality of this – consider that they are STILL writing and STILL an author and STILL passionate about (creating) their work. So in many ways this ideal we carry around of being an author and nothing else, is what hurts us. We need to be flexible to make it truly work for us. This has been true of authors long before any of us were born and will be true for the majority of authors in the future. To believe we’ll be the next J. K. Rowlings and write a book and become rich from having lived in poverty, is a lovely fairytale and not applicable to the 99.9 percent of people trying to write for a living. So let go of the dream and create a real one for yourself instead.

One of the realities of being an author in 2022 and beyond is; you need to sell to justify what you do. Is this harsh or just reality? Who writes into a paper bag? We want to be read. We want to sell. Even if we say we don’t (we do). So how do we maintain our integrity and ideals of creative freedom whilst being realistic about selling and publishing and all the loathed aspects of the writing world?

Get a publisher who is on your side and will help you promote your work rather than just passively publish it – or vanity-press publish it, with no investment in YOU.

Remember that if you loved music because of a cover of an album, the same applies to books, and don’t just slap together a cover from bits and pieces. Really give it thought – better still – ask your creative friends to help or if you can afford it, commission a designer for your book cover.

Get an editor who will give you the skinny on your slip-ups and make your product the best it can be – which in turn will impress publishers no end because publishers LOVE polished manuscripts.

Find people who love to read your genre and persuade them to advance reader review your book so you can improve on what you’ve written with real-world-feedback.

If you cannot find a publicist or agent, don’t despair. One benefit of 2022 and beyond is many authors nowadays don’t have an agent, which means less agency-fees. Whilst it’s true the biggest publishers still won’t touch you without an agent, if you struggle to find one don’t let that stop you. Small and medium sized publishers often accept unsolicited non-agent manuscripts, providing they are polished. It can be beneficial to you to work directly with such a publisher and big publishers often re-publish successful indie level books.

Get out there and get your work known. Use the power of social media and technology, ensure you have an online presence including a website. How can you expect anyone to take a chance on you if you don’t exist online? It’s pretty easy to create a Facebook page, and other social media presence so that people interested in your work can find you. It helps you and it helps market you to publishers.

Consider your genre: Market yourself according to your genre (the subject you write about) so others who like this genre can find you. When submitting to publishers, consider letting them know what you intend to do to market your own work, it makes you sound invested and a partnership in your own process, which is more attractive to publishers.

Yes you really have to work at being an author as well as writing. Anyone who says being an author/writer is ‘easy’ obviously hasn’t spent years grafting their work, getting multiple rejections and having to market themselves when they feel like they have no confidence to do so, but that’s exactly what has to be done. Despite this (or … in-spite of this!) Authors get published all the time and even if you have to do more than ‘just be an author’ to earn your keep, you’ll still be able to do what you love (write) and that counts for a lot when we consider what people often have to do for a living. Even if you do have to work at FedEx or a Dog-Groomers on weekends and babysit evenings, to keep the dream, you have a dream and that’s worth everything.

Brought to you by the invested folk at Indie Blu(e) Publishing, who believe in our authors and love you hard working talented folk. We stand by you and intend to do all we can to make your dream a reality. Send us your polished fiction manuscripts in 2022. See our submission guidelines at http://www.indieblu.net www.indieblu.net

Authors in Indie Blu(e) Anthologies: Emily Rose Cole

The incredible Emily Rose Cole stunned the Indie Blu(e) authors with her submissions to our anthology But You Don’t Look Sick (for sale HERE). Emily’s writing is just so superlative, it’s almost impossibly good. We absolutely loved her work, she was a stand-out from the very first read and consequently Indie Blu(e) nominated Emily’s writing for a Pushcart award based on the quality of her work in our collection. We really want to promote her work because she’s a brilliant talent and an inspiring writer (and singer!). A little bit of an enigma, she’s the genius hiding in the forest, we want to tease her out a bit and share her writing with you:

Is it any wonder Emily Rose Cole grew up in a family folk band with music in her veins? This could explain why her poetry is just so magnificent. Emily is a poet, singer, folklore enthusiast, and disability studies scholar. We’re hopeful she carries on writing and publishing, because the subjects she picks are dear to our heart and her rending of them, quite stunning.

Her chapbook of persona poems in the voices of mythological and historical women, Love & a Loaded Gunwas released from Minerva Rising Press in 2017. Check out more about this collection via Emily’s website: http://www.emilyrosecolepoetry.com/chapbook

Her poetry has received awards from Jabberwock ReviewRuminate MagazinePhiladelphia StoriesThe Orison Anthology and the Academy of American Poets ,and has been featured in projects like American Life in Poetry, Best New Poets 2018, and The Familiar Wild: On Dogs and Poetry. It’s not just Indie Blu(e) who thinks Emily is outstanding, she’s got a huge list of published works, here are some you can read online: http://www.emilyrosecolepoetry.com/published-work

Emily holds an MFA from Southern Illinois University Carbondale and is pursuing a PhD in poetry with an emphasis in Disability Studies at the University of Cincinnati. She loves accessibility, folk music, weird fairytales, stories about friendship, foxes, and, especially, her tiny black cat, Bashir.  You can hear her reading some of her poetry here.

Emily’s Social media connections are:


Twitter: @EmilyColeWrites

Facebook: Emily Rose Cole

Insta: DSNineLives (mostly my cat) 

The online literary journal Rogue Agent and our anthology But You Don’t Look Sick (buy a copy of this ground-breaking anthology on invisible illness by a myriad of talented poets and artists HERE) published this stunning work of Emily’s on MS and disability/visibility:

SPELL FOR THE END OF THE MS FLARE

Always the same, return & return, like riptide,
like nightmare. No—like the witch’s warning:
what you cast will return to you three times three,
a reminder that magic begets magic begets
consequences—breakfast’s black mug of coffee
reincarnates itself as a bladder spasm, an afternoon
of self-selected house arrest. Last night’s extra hour
awake resurfaces as the glimmer of molasses in the brain’s
gas tank. Dead engine. Each relapse makes of me an object  

at rest. It’s so easy to imagine this as punishment—cause
& effect. Present action equals future damage. Little wonder
that the adjective & verb forms of degenerate are spelled
the same way: I am degenerate, so I degenerate. Goddess,

in place of such unuseful language, grant me a new word
for disrepair. Bar from my lips all apologies. Blessed be.

Emily Rose Cole – one of the discovered talents we were fortunate to encounter when we put out a call for our invisible illness anthology But You Don’t Look Sick. It’s our hope we work with her again, and we are glad to share her talent with our readers because we think this poetess is going places. There is nothing more rewarding than meeting gifted writers and sharing them with others. If you love poetry, you’re in for a real treat with Emily’s uncanny talent as a writer.

Want to be featured on Indie Blu(e)’s blog? If you have had work published in one of our anthologies, drop us a line and let us promote your work here! www.indieblu.net