Looking for the Perfect Last Minute Gift? Titles from Sudden Denouement Publishing Are Always the Right Fit — December 13, 2018

Looking for the Perfect Last Minute Gift? Titles from Sudden Denouement Publishing Are Always the Right Fit

Blossom and Bone by Nicole Lyons

In Blossom and Bone, Nicole Lyons’ third collection of poetry, she is unafraid to bare her soul. With never a wasted word, Lyons’ work has a hypnotic immediacy that leaves the reader breathless, as if she were in the room with them, saying; “I am standing here screaming / I live, I live, I love.”

Blossom and Bone is “A beautifully crafted work of art that will punch you in the face with its gritty realism before soothing your wounds with elegant prose, thought provoking lines, and sublime imagery.” – Samuel Decker Thompson

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Pantheon by Eric Syrdal

Eric Syrdal’s Pantheon is the novel told in free-verse that you never knew you needed to read. Epic in scope but always deeply rooted in its humanity, it defies genres and expectations.

“Pantheon is a thrilling philosophical journey exploring the depth and meaning for one passing through a metaphorical world of inner demons and dragons, goddesses of the soul, of warrior and poet. A journey that crosses boundaries of time, space, and perception. I am captured by the intimate revelations of this intuitive and sympathetic protagonist battling the dark ages of his subconscious moving instinctively forward into innerscape, relying upon and exalting the virtue goddesses that guide and deliver him from barbarity and trial by ordeal both physical and spiritually as he transports from one state of being to another, from one point of time to another”
Holly Rene Hunter

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Composition of a Woman By Christine E. Ray

Christine Ray’s debut poetry collection ‘Composition of a Woman’ is an extraordinary glimpse into the essence of what it takes to make, and sometimes simultaneously break, a woman as strikingly powerful as she is beautiful. Split into five sections (Nerve, Brain, Breast, Rib, and Blood), Ray writes about chronic illness, depression, love, loss, and identity.

“Christine Ray brilliantly split Composition into five thoughtful sections that work together beautifully to deliver the maximum impact of each poem while taking the reader deeper into a stunning journey of the mind, the body, the very soul of this person. In Composition, Christine Ray reveals so much of what we try to hide, and she does so while dancing between ruthlessly beautiful and heartbreakingly painful.”
Nicole Lyons, I Am A World Of Uncertainties Disguised As a Girl

Composition of a Woman

A Sparrow Stirs its Wings by Rachel Finch

Sudden Denouement Publishing is honored to publish Rachel Finch’s book of poetry ‘A Sparrow Stirs its Wings.” Finch is the powerhouse behind the Bruised But Not Broken community on Facebook, which provides support and healing for trauma survivors. She is a symbol of hope and light throughout the world.

“Every now and then, when the world seems to be rocked in chaos and people are screaming without listening – vile words and cries for help climbing on top of and over each other – a single voice stands out, and that voice is pure in its truth and stunning in its wisdom.

Rachel Finch, and her debut book, A Sparrow Stirs its Wings, is that voice right now. Turning her heartbreaking abuse into heart wrenching prose, Finch writes her truth and gives her strength to every unnamed victim turned survivor.”

Nicole Lyons, I Am A World Of Uncertainties Disguised As A Girl

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Anthology Volume I: Writings from the Sudden Denouement Literary Collective

Anthology Volume I: Writings from the Sudden Denouement Literary Collective is a thoughtfully curated compendium of the best writing published online by the Sudden Denouement Literary Collective from its launch in August of 2016 through April 2018. It includes 138 pieces of cutting-edge poetry, prose and short fiction written by 29 diverse writers from England, Romania, Japan, India, Finland, the United States and Canada. Thirty-one of the 138 pieces were written exclusively for the Anthology. This volume captures the astonishing raw power of these individual and united poetic voices.

“One of the delights of this collection is the sheer diversity of voices, unconstrained, with differing syntax, forms, loss of form, deliberate omissions and styles, one moment you are reading a condensed prose-poem about the origin of life, the next a confessional bleeding rip from the heart about love and drugs. Nowhere else in modern collections have I found such a mélange of tongues, all begging questions, responses, emotions, some disgust, horror, desire. Volume I is a true kaleidoscope of the human experience, doused in realism and the phantasmagoric with absolutely no brake fluid.” Candice Louisa Daquin, Pinch the Lock

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I Am A World Of Uncertainties Disguised As A Girl by Nicole Lyons

‘I Am A World Of Uncertainties Disguised As A Girl’ written by author and poet Nicole Lyons, is a breathtaking collection of poems that blurs the lines between love and madness. A sorceress of words, Nicole Lyons takes the reader to the edge of the abyss of creativity, sanity, and love, and asks the question, ‘can one survive both a broken heart and a broken mind?’

I am a world

Machiavelli’s Backyard by David Lohrey

Some of these poems are prosaic, some disturbing, some out-and-out hilarious: I like the dark sardonic tone and exquisite vernacular of gallows humor that popped right off the page. David Lohrey commands an arresting, hard won deadpan syntax entirely his own. He can be biting, toothy, sardonic and often ambiguous. I love the casual acerbic tone. He makes me think of “Dover Beach” and Jonathan Swift. He is a deadly serious (and skilled) poet, who happens also to be a very funny man. Charles Bukowski comes to mind. It is a poetry of outrage, a poetry of sadness, and a poetry of laughter. Reading “Machiavelli’s Backyard” is like being invited to a garden party in a Walmart parking lot.

Machiavellis Backyard

Sudden Denouement Publishing titles are available worldwide through Amazon, barnesandnoble.com, and Book Depository

Kristiana Reed Interviews Kindra M. Austin, Candice Louisa Daquin, Rachel Finch, and Christine E. Ray About the Anthology ‘We Will Not Be Silenced’ — December 1, 2018

Kristiana Reed Interviews Kindra M. Austin, Candice Louisa Daquin, Rachel Finch, and Christine E. Ray About the Anthology ‘We Will Not Be Silenced’

In the last few years, the stage on which women and men were always expected to prance and perform has changed. Windows are being installed in the wings. The heavy, velvet curtains are being pulled down and the ropes are being severed. The gauze on the lights is being torn or removed so they shine brighter and the ornamental ceiling has wide cracks in the stucco and tears in the paint. All that has been built around us for centuries – patriarchy, gender stereotypes, heterosexuality being the only sexuality, expectations of femininity, toxic masculinity and silence – is crumbling. It is crumbling because of people like the editors of We Will Not Be Silenced.

This anthology, which showcases powerful poetry, prose, essays and art, is the lived experience of sexual harassment and sexual assault. I was given the wonderful opportunity to interview the women who, in response to current events such as Christine Blasey Ford’s courageous stand against Brett Kavanaugh, decided to do more than just support those who share their stories. Christine Ray, Kindra Austin, Rachel Finch and Candice Daquin chose to create a monumental anthology which empowered an array of men and women from around the globe, to shatter the bonds of silence they were told they had to keep. It will no doubt propel the momentum we already feel with movements like #TimesUp and #MeToo and continue to shift power from the guilty many to the innocent many; who never asked for what happened to them.

I asked the editors four questions and below I have edited together their responses. I hope you enjoy reading about their own personal strength as well as their unconditional desire to help others.

We Will Not Be Silenced’ – What does this phrase mean to you?

Rachel: ‘It means Courage, Strength, the Reclaiming of Personal Power & Healing. It means we are not victims but survivors.’

Christine: ‘Breaking the silence and writing about my experiences became critical to my survival. The public backlash from the Kavanaugh hearings also reminded all of us how easy it can be to dismiss a single survivor.  We wanted to make a strong statement that we would not continue to maintain a silence that only benefits our abusers and the rape culture that surrounds us.’

Kindra: ‘We Will Not Be Silenced means we have found our voices, and we are going to use them—we will not wait to be asked.’

Candice: ‘By having a movement first with #metoo and now with We Will Not Be Silenced, this has felt like a reclamation or growth, the silence into a unified voice. That voice is saying no, you don’t have the power to silence me anymore. I am going to speak my truth.’

What do you envision or hope the legacy of this anthology will be?

Candice: ‘To be one way by which survivors and their loved ones, as well as anyone affected by sexual assault, can gain acceptance, healing, conversation, openness, through a pure art form.’

Rachel: ‘I hope the stigma concerning this type of abuse will change and that the anthology will help raise both awareness and understanding of how such an experience can affect a person. I hope that those that do know this pain are able to see that they are not alone in their experiences or feelings related to this and know that their voice matters and they need not be silenced as we were. I hope my daughters and sons read every page and see clearly that a person can carry strength even in their quiet but that we do not have to be.’

Kindra: ‘I hope that survivors of assault find strength, validation, and camaraderie within the pages. I would love to see We Will Not Be Silenced nationally recognized for what it is: a call to action.’

Christine: ‘We want to see the Anthology in public libraries, and rape crisis centers, and being read on public transportation.  We want to hear non-survivors say, “I didn’t understand until now.”  We want this to lessen the isolation of survivors who have not shared their story and help them realize that whatever they are feeling is normal and that we don’t have to stay victims.’

Why is the publication of this anthology important to you?

Christine: ‘The week of the Kavanaugh Hearings was incredibly triggering for me as a survivor.  There were times that I felt afraid and literally heartsick at what I read on social media, what I saw on the news.  But what I increasingly felt was outrage and anger.  I needed to do something creative and productive with those feelings.  I needed to connect with others who were feeling the same way and create something bigger than ourselves.’

Rachel: ‘When you have carried a story with no words inside of you for so many years, the telling of it becomes much more than just that. Many of these poems stir deep and painful emotions, at the same time, the collection is both empowering and liberating.’

Kindra: ‘We have to fight way too hard for respect, and compassion, and equality. Survivors of sexual assault live with a stigma projected upon us by the people who should be working toward justice, and making sure we have the support we need to get back to living and not just existing. This publication is important because we want victims to become survivors.’

Candice: ‘For the four of us, this was a necessary response to the climate politically in America and world-wide. Publication of these voices is a validation of their existence and their survival and I truly believe in the power of the printed word.’

You thanked people for trusting you with their pain, their stories and their survival. Can you share the moment when you realized how significant and powerful this project would be for you and many others?

 Christine: ‘We only opened submissions for a two-week period and received hundreds of pieces of writing and art in those two weeks.  We are still hearing from people who just learned about the project and wanted to submit.  It has been incredibly humbling and inspiring to hear from the contributors why it was important for them to participate.’

Candice: ‘This has slowly evolved into something far bigger than any of us could have expected, it speaks for all of us, it contains all of our momentum, frustrations and rage as well as our need for more than we presently have. I truly believe it’s taken on a life of its own and this is exactly what you would wish for as far as any collaborative project goes, although the fierce beauty and courage of these survivors never fails to take my breath away. I am so honored and humbled by the response it just makes me want to do more.’

Rachel: ‘Whilst reading through each piece I found myself with tears rolling down my cheeks for both myself and every survivor that had come forward with their truth and it was during the submission process that I realized this project was significant to many hundreds of people and that together the poetry creates both a powerful depiction of what it is to experience sexual violence and the importance of why we must untangle our vocal chords.’

Kindra: ‘All I know that is that all four of us are awestruck by the strength—the sheer will—and honesty of these beautiful contributors. I’ve collaborated on a lot of projects, but We Will Not Be Silenced is by far the most important and powerful to me.’ – Kindra Austin

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We Will Not Be Silenced was be released on November 27, 2018.  It is available in both print and Kindle editions.

The editors want to ensure free copies of this anthology make it into to the hands of the people and organisations who need it most. Visit their Go Fund Me page to learn more about how you can help this movement be one which saves lives and changes history.

-Kristiana Reed

Image courtesy of April Yvette

The Sudden Denouement Publishing Collection — November 18, 2018
Christine Ray Reviews VINE: BOOK OF POETRY BY MELODY LEE — July 22, 2018

Christine Ray Reviews VINE: BOOK OF POETRY BY MELODY LEE

I have only recently been introduced to the poetry of Melody Lee and had only read a single piece before I dove into Vine: Book of Poetry, her recently released second book.  Vine is divided into five sections: Clematis, Honeysuckle, Jasmine, Ivy, and Wisteria.  Lee provides background information about the qualities and lore of each plant, which helped set the stage for each section as well as provide me with some nifty garden trivia.

What struck me from the very first poem This Is How I Know is how beautiful Lee’s imagery is:

‘It gracefully dances up my spine
Gently wrapping around my heart
And I flourish extravagantly’

One of my favorite pieces in the collection is Cunning Linguist, which appeals to the senses. It is multisensory and tactile, with language such as ‘I wear it like luxurious cashmere’ and ‘I gulp, I sip, swallow.’ My favorite line in the whole book also comes from this piece. She declares: ‘I am a book harlot.’ I smiled to myself and said, ‘Me too!’

Vine is filled with sumptuous love poems such as Coffee, which starts with sensuous lines ‘Pour yourself a cup of steaming coffee/honey, then come pour yourself into me’ but also has an edge that I quite liked the bite of.  Lines such as ‘but we worship each other/on skin and dirty knees’ from Let’s Be Honest or ‘Sometimes poetry is dark and brutal/has fangs and teeth’ from Dear Reader provide balance to the softer poems in the book.

Although much of Vine is concerned with the ebb and flow of lovers, Lee also has a passionate affair with poetry. Another personal favorite, Dear Reader, displays this eloquently:

‘Don’t say poetry doesn’t make sense
while you are eating the words
as if they are a last meal,
as your backbone curves, as goose bumps
rise on your legs, arms.
That is all the sense poetry needs to make.’

Where Lee’s longer love poems are lush and languid, her punctuations of micro poetry are sometimes pointed and bracing, such as the poem Warning:

‘They should have warned you
that little princesses grow up
to be red rocks and raging seas,
fire dragons and warrior queens.’

I also loved the sly social commentary to be found in Lee’s piece Church with such lines as ‘Truth is, I am allergic to hypocrites’ and

‘If Jesus and His apostles were here,
surely, they would be rolling their eyes,
maybe even tipping over tables,
if you would even allow them and their dirty feet
into your spotless, sterile sanctuaries.’

I finished Vine a firm Melody Lee fan with a keen longing to hear more of her voice, particularly her sharp social observations and pieces such as Insanity Invades Like a Tumor, which starts off sounding like another of her love poems, but quickly turns deliciously dark, bringing to mind the writing of Edgar Allen Poe.  Good thing her first book, Moon Gypsy, is already on its way.

Vine: Book of Poetry is available through Amazon and other major retailers